21. maj

19h

Otvaranje 

FIST produkcija – Ciglana

21st May

7pm

FIST  Opening Ceremony

FIST production

22. maj

16h

Police

Janáček Academy of Music and Performing Arts Brno, Češka

Predstava teatra apsurda zasnovana na citatu iz Baštenske zabave Vaclava Havela.

Police [češki: Regály] je predstava zasnovana na citatu iz predstave Vaclava Havela Baštenska zabava: „Svi mi u ova turbulentna vremena na neki način samo tražimo sopstveno stajalište.“ Police je predstava teatra apsurda koja se odvija u supermarketu budućnosti u društvu koje je pod totalnim nadzorom i u kom deluje kao da su razum, istina i empatija zaboravljeni. Danijela Samsonova je svojom autorskom predstavom Police osvojila nagradu za najbolju mini-predstavu na takmičenju koje je ove godine u Njujorku organizovala Fondacija biblioteke Vaclav Havel.

17:30h

Kanibali

Akademija za pozorište, radio, film i televiziju Ljubljana, Slovenija

Mrtvački ples

Kanibali su poetska drama jednog od najupečatljivijih i najekspresivnijih slovenačkih pesnika i dramskih pisaca Gregora Strniše. Podnaslov predstave je Mrtvački ples, čime autor oslikava svet koji počiva na beskrajnoj gladi i sveprisutnom strahu. Drugi svetski rat se bliži kraju, a jedna porodica siromašnih izbeglica je u potrazi za skloništem i krovom nad glavom. Konačno pronalaze utočište u napuštenoj kapeli koju im njen prior prepušta na korišćenje kako bi imali miran dom i spokojan san. Međutim, otac Pajot – koji je mesar i kobasičar – bogohulno zamenjuje ritual bogosluženja ritualom utoljavanja gladi, pa čak i ritualom neobuzdanog, profitabilnog privređivanja. Rat je ipak najisplativija delatnost. U praktično sakrivenoj kripti on pokreće svoj posao i pod izgovorom da se mora preživeti, on ubija, kolje, rasparčava, melje, prodaje i trguje – ljudskim mesom. Dva groteskna klovna, skoro gluvi Pajot i njegov saučesnik poluslepi kuvar Falac, zatekli su se u paklenom mehanizmu ubijanja, koje omogućava preživljavanje uz sarkastičnu kanibalističku logiku. Ono prehranjuje porodicu i obezbeđuje joj mir usred bombi i mitraljeske vatre, ali njihovi postupci ih istovremeno ubacuju u ples ironizovanog kanibalističkog karnevala klovnova, u kom su šake (i
vratovi) plesača vođeni stomakom, izdajama, lažima, telesnim strastima i pohlepom.

22nd May

4pm

Racks

Janáček Academy of Music and Performing Arts Brno, Czech Republic

Absurd drama based on a quote from Vaclav Havel’s play Garden Party.

Racks [Regály] is based on a quote from Vaclav Havel’s play Garden Party: “We all are only sort of searching in these tempestuous times for our particular standpoint.” The play Racks is an absurd drama taking place in a future supermarket in a society where everyone is under surveillance, and reason, truth and compassion are seemingly left behind. Daniela Samsonová with her author’s play Racks won annual contest for the best mini-drama organized by Vaclav Havel Library Foundation in New York, USA, this year (2021).

5:30pm

Cannibals

Academy of Theatre, Radio, Film and Television Ljubljana, Slovenia

A Dance macabre.

Cannibals are a poetic drama by one of the most unique and expressive Slovenian poets and playwrights, Gregor Strniša. The author subtitled the play as A Dance macabre and through it, thus sketching a world perpetuated by endless hunger and omnipresent fear. The Second World War is drawing to an end and a family of poor refugees is in search of a hiding place and shelter. They finally take refuge in an abandoned chapel, which its prior lets them use for a peaceful home, serene sleep. But Pajot, the father, also a butcher and a sausage maker, sacrilegiously replaces the ritual of worship with the ritual of patching his hunger and even the ritual of wild, profitable business. There’s no business like war business, after all. In a handily hidden crypt he sets up his workshop and with the excuse that one must survive, kills, slaughters, dismembers, grinds, sells and trades – human flesh. Two grotesque clowns, the almost deaf Pajot and his accomplice, the half-blind cook Falac, are caught up in the hellish mechanism of killing, which enables survival using the sarcastic cannibalistic logic. It feeds the family and provides it with peace amidst the bombs and machine-gun fire, but at the same time their actions spin them in the dance of the ironized cannibalistic clown carnival, where dancers’ hands (and necks) are held by the needs of full bellies, betrayals, lies, carnal desire and greed.

16. mart

20h

TEOTWAWKI

Visoka škola umetnosti
Cirih

Performans o tome kako se pripremiti za smak sveta.

Smak sveta uskoro stiže. Ali kada? Šta će se dogoditi? Troje prepera te pozivaju u svoj bunker i drže radionicu o nekoliko mogućih scenarija za kraj vremena. Ali šta ćemo raditi nakon što počne smak sveta?

16th March

8pm

TEOTWAWKI (The End of the World As We Know It)

Zürcher Hochschule der Künste
Zürich

A performance about how to prepare for the end of the world.

The end of the world is coming soon. But when? And what will happen? Three preppers invite you to their bunker and hold a workshop about several possible end of time scenarios. But what are we going to do after the end of the world has begun?

17. mart

20h

A ipak samo želim da budem sa tobom

Akademija izvođačkih umetnosti Baden-Vitemberg
Ludvizburg

Autobiografski performans koji će tek dobiti svoj oblik.

Pitaju te ko si. Ne razumeš zašto je to toliko nejasno. Pošto nikada pre nisi razmišljao o tome, pokušavaš da se setiš bitnih trenutaka iz svoje prošlosti koji bi ti pomogli da odgovoriš na pitanje. Stavimo se u moju poziciju – i kreirajmo priču koja zavređuje da se pogleda iz različitih uglova.

22h

Iluzija

Pozorišna akademija u Rimu Sofija Amendoela

Čovek i žena na jezeru u malom čamcu.

17th March

8pm

And yet I just Want to Be with You

Academy for Performing Arts Baden-Württemberg
Ludwisburg

An autobiographical performance which yet needs to be shaped.

You’re asked who you are. You wonder why this is so unclear. Since you have never thought about it before, you try to remember relevant episodes in your past that might help you answer the question. Let’s put ourselves in my position – and construct a narrative that ‘s worth looking at from different perspectives.

10pm

Illusion

Theatre Academy of Rome Sofia Amendolea

A man and a women are at the lake in a small boat.

18. mart

20h

Gospoda Glembajevi

Akademija umjetnosti
Banja Luka

Paklena noć i propast čuvene, visokostojeće porodice Glembaj.

Bogata aristokratska kuća Glembaj. Nesloga i nemir vladaju između ukućana usled niza tragedja koje su zadesile tu porodicu koja se probijala kroz blato da bi postala imperija. Kroz čitavu dramu punu zle krvi jasno se pokazuju ljudske mane i oportunizam, interes, podvale i ljubavne igre, zločini i skandali vezani uz aristokratiju koja je vlasnik krupnog kapitala.

22h

Plesač je odgovor

BODHI Projekat
Salcburg

Ples je magija. Ples je zabava. Ples je sloboda. Šta je ples za tebe? Habirus je sociološki termin koji podrazumeva urođene navike, sposobnosti i mogućnosti. To je način da pojedinci sagledaju svet oko sebe i reaguju na njega. Ove sposobnosti su obično zajedničke među ljudima sličnog miljea (kao što su društveni sloj, religija ili profesija). Plesači dele habitus, a svet plesa je pleme. Habitus je način na koji kultura i lična istorija grupe oblikuje telo i um ovog plemena. Habitus se sastoji i od tendencije da se telo koristi na određeni način, kao što su stav i stil, apstraktnije mentalne navike, osećanja, kao i aktivnosti. Ovo nisu puke navike. Ovo su maniri, ukusi. Ovaj komad ih slavi.

18th March

8pm

The Glembays

Academy of Arts
Banja Luka

Healish night and the decay of famous, wealthy Glembay faamily.

Rich aristocrathic home of the Glembays. Disagreement and restlessness invade the house as a result of series of tragedies that happened to the family who went to great lenghts to try to become an empire. Throught this drama full of bad blood, we follow the surfacing of human flaws, opportunism and interest, schemes and love intrigues, crimes and scandals connected with the aristocracy that owns large capital.

10pm

Dancer is the Answer

BODHI Project
Salzburg

Dance is magic. Dance is fun. Dance is freedom. What’s Dance for you? Habitus is a sociological term that indicates ingrained habits, skills and dispositions. It is the way that individuals perceive the world around them and react to it. These dispositions are usually shared by people with similar backgrounds (such as social class, religion and profession). Dancers share habitus, and the dance world is a tribe. The habitus is the way group culture and personal history shape the body and the mind of this tribe. The habitus consists of both the tendency to use the body in a certain way, such as posture and style, and more abstract mental habits, feelings, as well as actions. These are not mere habits. These are attitudes, mannerisms, tastes. This piece celebrates them.

19. mart

16h

Tri sestre

Akademija umetnosti
Priština

Tri sestre, Olga, Maša i Irina, i njihov brat Andrej (Prozorovi), nakon smrti njihovih roditelja, ostaju zarobljeni između stvarnosti u kojoj žive i svojih želja.

Tri sestre su, prema mom mišljenju, bez sumnje jedan od najmodernijih, najuzbudljivijih i najintimnijih komada klasične literature. Mnogi teoretičari vide Čehovljevu dramu iz 1900. godine kao početak savremene dramaturije po tematici, ali i po sadržaju gde su veliki događaji i tragedije zamenjeni svakodnevnim, stvarnim životom punom banalnosti, u kojima se povremeno nešto neočekivano i uznemirujuće desi. Jovan Hristić piše u svojoj čuvenoj studiji o Čehovu da je ovaj autor govorio kako bi trebalo da postoji komad u kome će ljudi dolaziti, odlaziti, večerati, razgovarati, razgovarati o vremenskim prilikama, igrati karte, ne zato što je to autoru neophodno, već zato što je to tako u stvarnom životu.

19th March

4pm

Three Sisters

Faculty of Arts
Priština

Three sisters, Olga, Masha and Irina, and their brother Andrei (The Prozorovs), after the death of their parents, stay trapped between the reality they live in and their desires.

Three sisters are, in my opinion, undoubtedly one of the most modern, most exciting and most intimate plays of the classic world literature. Many theorists see this Chekhov play (1900) as the start of contemporary dramaturgy, in thematic, but also in its content where the big events, tragedies are replaced with everyday, real life full of banalities in which, only periodically, something unexpected and disturbing happens. Jovan Hristić writes, in his famous Chekhov study, that this writer spoke that there should be a play in which people should come, leave, dine, talk about the weather, play cards, not because the author needs that but because that happens in real life.

20. mart

20h

Zatvaranje / FIST Society

Poslednji dan našeg procesa Buđenja ne znači da sledi spavanje. Pridružite nam se na svečanom zatvaranju. U pižami ili haljini i smokingu, sa crvenim karminom ili maskom na licu, na velikim i malim ekranima, mi ćemo vas čekati.

Saopštenje odluke žirija
FIST Society manifest zatvaranja
FIST 15 Aftermovie

20th March

8pm

FIST Society Closing Ceremony

The last day of the process of our Awakening does not mean going to sleep. Join us at our closing ceremony. Pajamas or a dress and a tuxedo, red lipstick or facemask, big or small screens, we will be waiting on you.

Announcment of jury’s decision
FIST Society Closing Manifesto
FIST 15 Aftermovie